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Monday, July 8, 2024

'Like it better when it's like this:' Oviedo residents turn out for July 6 fireworks celebration - WKMG News 6 & ClickOrlando

OVIEDO, Fla. – It’s a Fourth of July celebration – just two days late.

Last year, Oviedo City Council members voted 4-1 to hold their Independence Day celebration two days after the holiday on July 6 at the Oviedo Mall parking lot.

It was decision many criticized, especially because the fireworks-only show cost taxpayers around $46,000.

However, dozens who filled the parking lot Saturday night say they’re happy with the decision.

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“I don’t think the residents mind. I like it better when it’s like this,” said Lisa Cashman.

Lisa and Bill Cashman said they believe the weekend celebration is a great idea and brings more people to the Oviedo Mall.

However, they also believe it was also a missed opportunity.

“I think Oviedo could capitalize it on it a little bit more. They could have had more food trucks, made more money off of it,” Lisa Cashman said.

People had mixed opinions on holding the event on July 6 again next year, but most want to celebrate on a weekend.

They plan to share their thoughts when the council decides again on the celebration at the end of this year.


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Sunday, July 7, 2024

The Red Sox hadn’t had a comeback quite like this one in at least 115 years - Boston.com

Red Sox

One out away from defeat, they responded in thrilling fashion.

Masataka Yoshida rounds the bases after blasting a tying home run in the ninth inning Friday. Frank Franklin II/AP Photo

Down by multiple runs on the road, with two outs in the ninth inning, it’s human nature to think a comeback is possible.

The reality, however, is that the odds are infinitesimal.

When the Red Sox rallied for a stunning, 5-3, triumph over the Yankees on Friday, it marked their first win of that exact kind over their archrival in at least 115 years.

Masataka Yoshida tied the game with a mammoth two-run shot to right in the bottom of the ninth, then Ceddanne Rafaela gave Boston a two-run lead with a two-run blast to center in the 10th.

The Yankees threatened in the 10th, but Kenley Jansen walked the tightrope masterfully to earn his 437th career save.

It was Boston’s first time winning on the road after trailing by multiple runs with two outs in the ninth against any team since 2016.

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According to Long, the Red Sox had zero wins when trailing after seven innings in their first 65 games this season. In their last 22, they have five such wins.

Boston is a Major League-best 26-15 (.634) in its last 41 games, beginning May 19, and a season-high nine games above .500.

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Saturday, July 6, 2024

"I was like, this sucks": Kevin Bacon tried living as a regular guy for a day - Salon

Kevin Bacon hasn't always been famous, but it's been quite a while since he could pass as an "average Joe."

Curious to see what it would be like to spend a day as part of the general public, he recently disguised his appearance in an effort to walk amongst us undetected, but his attempt to fit in wasn’t as fun as he thought it would be.

“I’m not complaining, but I have a face that’s pretty recognizable,” Bacon told Vanity Fair. “Putting my hat and glasses on is only going to work to a certain extent.”

The “Footloose” star used some Hollywood magic to make his social experiment work, enlisting professional help to disguise himself in fake teeth, a false nose, and glasses. And his efforts were successful. Maybe too successful.

“I went to a special effects makeup artist, had consultations, and asked him to make me a prosthetic disguise,” he said.

The Golden Globe winner, who appears in the Eddie Murphy-headed comedy “Beverly Hills Cop: Axel F," embarked on one of L.A.’s most crowded and tourist-filled spots, The Grove shopping mall, quickly realizing that nobody recognized him.

“People were kind of pushing past me, not being nice. Nobody said, ‘I love you.’ I had to wait in line to, I don’t know, buy a f*****g coffee or whatever,” Bacon recalled. “I was like, this sucks. I want to go back to being famous.”

Bacon, who starred in his wife Kyra Sedgwick’s directorial debut, "Space Oddity," went back to stardom last week, walking the Red Carpet for the recently-released A24 film “MaXXXine."

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Labour Won a U.K. Landslide. Why Doesn't It Feel Like That? - The New York Times

Britain’s voters handed the Labour Party a landslide election victory this week, but one laden with asterisks.

Prime Minister Keir Starmer took office on Friday with a commanding majority in the British Parliament, yet in terms of the total number of ballots cast, his party won only a third of the vote, less than what it got in 2017 when it lost to the Conservatives. Labour made inroads across Britain, yet its wins were often eclipsed by the Tory losses, including that of Liz Truss, the unpopular former prime minister who was evicted from her seat.

The thundering mutiny of the voters may have been the single biggest message of Britain’s election. It has ushered in a new era of Labour government, left the Conservatives to nurse the worst defeat in their history, and stands as a warning to incumbents everywhere of the hazards of failing to deliver on your promises.

But Labour’s triumph was only one of several crosscurrents that revealed the extraordinary volatility of the modern British electorate: the rise of Reform U.K., an insurgent anti-immigration party, which won more than four million votes; the plummeting vote share of the major parties; the lowest voter turnout in decades, and the flare-up of the Gaza War as a campaign issue that stung Labour candidates, even Mr. Starmer.

While he comfortably held his own seat in London, Mr. Starmer won 17,000 fewer votes than in 2019, thanks in part to a challenge by an independent who channeled anger on the left over Labour’s stance on Israel and the war in Gaza.

It all added up to a complex election that defies easy categorization: a landslide, but not a straightforward realignment of the political map; a pivot to the center-left, but one that gave the populist right a valuable foothold; a thumping Labour win, but without the euphoria that suffused Tony Blair’s runaway victory in 1997. “A loveless landslide,” one commentator said on Friday morning.

“We wanted change,” said Anand Menon, a professor of European politics at King’s College London, summing up the complicated state of British politics, “but we aren’t inspired by Labour.”

At one level, Britain’s embrace of a center-left party sets it apart from the right-wing wave that is rising across Europe and possibly in the United States. When Mr. Starmer travels to Washington next week for a NATO summit, he will be a fresh presence amid a depleted group of centrist leaders: President Biden, President Emmanuel Macron of France, and Chancellor Olaf Scholz of Germany.

Yet some analysts said the election should not be interpreted as an embrace of left-wing policies. The magnitude of Labour’s victory is partly a function of Britain’s winner-take-all electoral system, which tends to favor major parties over smaller ones. It also reflected the depth of the Conservative collapse, which was magnified by the capacity of Reform to siphon off right-wing voters.

“It’s not a big shift to the left,” said Tony Travers, a professor of politics at the London School of Economics. “Labour has massively moderated under Keir Starmer.”

On Friday, Mr. Starmer signaled that he knew he had no time to waste acting on his party’s lopsided majority: 412 seats, almost matching the number received by Mr. Blair in 1997. And he reached out to voters who had not backed Labour.

“You have given us a clear mandate, and we will use it to deliver change,” Mr. Starmer told cheering supporters after arriving at 10 Downing Street. “To restore service and respect to politics. End the era of noisy performance. Tread more lightly on your lives. And unite our country.”

Hours after traveling to Buckingham Palace, where King Charles III invited him to form a government, Mr. Starmer installed his top team, including Rachel Reeves as chancellor of the Exchequer, the first woman to hold that post.

Mr. Starmer, analysts said, will have to act quickly to satisfy an impatient public. He has promised to jump-start the economy by overhauling planning regulations and to shore up the overburdened National Health Service. But with Britain’s ballooning public debt, he will have limited tools to begin what he has proclaimed a decade of national renewal.

Moreover, the emergence of Reform — which won 14.3 percent of the vote, compared to 23.7 percent for the Conservatives and 33.8 percent for Labour — suggested to some that Britain is still vulnerable to the kind of hard right populism that is on the march in France, particularly if the new government does not score some wins quickly.

Nigel Farage, the populist firebrand who leads Reform and was an early champion of Brexit, appeared to be trying to reinvent himself for that purpose.

“There is a massive gap on the center right of British politics,” a jubilant Mr. Farage said to cheering supporters in the town of Clacton-on-Sea after he had won a seat in Parliament for the first time in eight attempts. “My job is to fill it, and that’s exactly what I’m going to do.”

Reform won only five seats, which will limit its voice within the House of Commons. But analysts say Mr. Farage could use his platform to torment the Conservatives at a moment when they are divided, dispirited, and open to the lure of the far right.

The centrist Liberal Democrats were another big winner on Thursday night, winning 12 percent of the vote and increasing their number of seats from eight to 71. They inflicted significant damage on the Conservatives in their heartland in England’s south and southwest. Among the priorities of the party, which was virulently against Brexit, is to forge closer ties to the European Union.

Reform U.K. and the Liberal Democrats underscored the rapid fragmentation of British politics. Together, Labour and the Conservatives won just 57.5 percent of the vote, their lowest combined share in the post-World War II period. In 2019, the two parties won 75.7 percent; in 2017, 82.4 percent.

Adding to the sense of political ennui was the voter turnout. At about 60 percent, it was the lowest since 2001, when Mr. Blair won a second term.

Mr. Starmer acknowledged the depth of discontent with traditional political institutions in his Downing Street speech. “It leads to a weariness in the heart of a nation, a draining-away of the hope, the spirit, the belief in a better future,” he said. “This wound, this lack of trust will only be healed by actions, not words.”

Professor Travers said traditional voting patterns had been upended in recent years, in part because of the rise of social media but also, he said, because dissatisfied people now use elections to send messages.

“It is a realignment from being rock-solid for one party to being open to new parties,” he said. “People don’t vote the way their parents did. People don’t vote along class lines anymore. They are simply less aligned to political parties.”

This election was different from the last two elections in another important respect: it was not dominated by the debate over Brexit. Britain’s 2016 decision to leave the European Union barely registered during the six-week campaign, with neither party eager to re-litigate the arguments of the last seven years. Labour kept its focus on kitchen-table issues like the economy and the N.H.S.

But just because Brexit did not figure in the debate does not mean it played no role. The passions the referendum unleashed divided the Conservatives, pulling them in more extreme directions on issues like immigration. Many voters blame Brexit for Britain’s economic ills, either because it hobbled trade with Europe or, in the view of Brexiteers, because it was never properly implemented.

“Brexit is still at the root of all this,” Professor Travers said. “The Conservatives damaged themselves because of it. Moreover, it’s now unpopular or thought to have been managed badly.”

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Friday, July 5, 2024

‘I just keep praying, like this is the year:’ Columbia mother begs for answers 3 years after daughter’s unsolved murder - WIS News 10

COLUMBIA, S.C. (WIS) - A Columbia mother is pushing forward, pleading for answers, three years after her teenage daughter’s unsolved murder.

The Columbia Police Department said 19-year-old Trinity Sanders was senselessly gunned down in a drive-by shooting while staying at a home on Musgroves Mill Lane, near Caughman Road Elementary School.

Investigators said she was not the intended target.

“I just keep praying like this is the year that we’re going to get this case resolved,” LaTechia Thompson, Sanders’ mother, said. “It’s really hard on me. It’s really hard on my family.”

Thompson said holidays are especially difficult, and this year was the first time she celebrated the Fourth of July with family since her daughter’s passing.

Thompson said she is doing okay and leaning on friends and family for support.

“It’s like your life kind of stops until things are solved,” Thompson said.

Thompson called her daughter “her little twin,” and explained that she will not stop advocating for justice until there is an arrest and conviction.

“Her name speaks volumes, that she was already an angel when she was born,” she said. “I know she’s watching over us, because she’s our angel, and she’s making sure we’re good.”

Sanders was just coming into her own, Thompson said. She was nurturing, loving and had dreams of being a nurse.

Thompson said she was a good sister to her younger brother, and a friend to many.

“She’s a good person, she didn’t have any enemies to the point of somebody wanting to take her life,” she said.

Jackson Sheard, Captain at the Criminal Investigations Bureau at the Columbia Police Department said Sanders was in the wrong place at the wrong time.

“What we know is a car drove by, fired multiple shots through the house and quickly drove away,” he said. “What we believe is that the intended target may have been someone in that house.”

Sheard said that a dispute at a Swansea nightclub earlier that evening may have led to the drive-by shooting.

Columbia police have conducted several interviews, including with people at the home on Musgroves Mill Lane. However, they still need more cooperation from the community.

Sheard is confident that the case will be solved for Sanders’ family.

“We have a dedicated team of investigators looking into this, and that’s our mission is to bring justice,” he said. “It’s just a little bit that we’re looking for to solve this puzzle.”

Investigators have reviewed security footage from the neighborhood, collected shell casings from the road, looked at cell phone evidence and have combed through social media.

Sheard said police have identified persons of interest, but no formal suspects.

Thompson felt that she must continue be her daughter’s voice.

“She’s just very special,” she said. “She was smart, always wanted to go – and that’s what makes it so hard to go to family events, because she was always that kid that wants to be around family and go to events. So, it just makes it a little hard just knowing that she’s not there.”

Thompson has started a foundation in Sanders’ honor to help teenage girls achieve their dreams.

It is called Pushing 4ward for Trinity, and aims to provide scholarships to Lower Richland High School students.

Anyone with information about what happened to Sanders is encouraged to reach out to Crimestoppers. That number is 1-888-CRIME-SC. Tips can be made anonymously.

Crimestoppers is offering up to $1,000 for information leading to an arrest and conviction in Sanders’ case.

Columbia police’s federal partner, the Bureau of Alcohol, Tobacco, Firearms and Explosives (ATF), is offering a reward of up to $25,000 as well.

A tip can be called into the ATF at 1-888-ATF-TIPS (888-283-8477).

Feel more informed, prepared, and connected with WIS. For more free content like this, subscribe to our email newsletter, and download our apps. Have feedback that can help us improve? Click here.

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‘We don’t deserve to live like this’: Tenants address issues with property manager - Cleveland 19 News

PARMA, Ohio (WOIO) - Months after Carlyle Management took over day to day operations of several complexes in Northeast Ohio, some tenants say they’re not happy.

“We don’t deserve to live like this. I don’t care if you live east side, west side, southside,” said resident James Prokay.

Prokay and Joseph DeSanto live at West Creek Heights Apartments in Parma. One of many apartments with the same managers and the same problems.

Within the past year, the duo reached out to local and surrounding city leaders in hopes of getting a resolution.

“We have talked to over 300 tenants, and they all have the same concern,” said Prokay. “I’ve contacted Channel 19 News because of two previous stories in the last few months about other properties and other residents.”

In May, Cheryl Anderson shared her frustration about Las Palmas in Cleveland.

She too said she had trash issues, and no working portal.

Recently at the Brooklyner Bay in Cleveland, a ceiling caved in on tenants

“This is where people live. This is where children grow up. This is where animals are. This is a family environment. You can’t allow it to run down,” said DeSanto.

According to Schulman in March, Carlyle started managing seven new properties, including West Creek Heights.

Some of the buildings have different owners. He said the complexes were in bad shape from the start.

“There were literally hundreds and thousands of dollars in utilities and insurance, mortgages, contracts,” said Schulman. “The money that is coming in is being directed to pay all the past due bills and to make renovations.”

19 Troubleshooter doesn’t give up and won’t until tenants get results.

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Thursday, July 4, 2024

Kevin Bacon Spent a Day as a Regular Person: “I Was Like, This Sucks” - Vanity Fair

The actor opens up about his storied career, the film industry’s “hierarchical bullshit,” and the two films he has opening this week: the horror movie MaXXXine and the Eddie Murphy action-comedy Beverly Hills Cop: Axel F.
Image may contain Clothing Pants Adult Person Accessories Belt Glasses Footwear Shoe Standing Coat Face and Head
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Kevin Bacon has daydreamed about walking through life as a regular, nonfamous person. A person who hasn’t been killed onscreen by Meryl Streep (in A River Wild), gone to space with Tom Hanks (Apollo 13), or sat across the courtroom from Tom Cruise and Jack Nicholson (A Few Good Men). A person so unubiquitous that there is no parlor game named for and centered around him. A person who could stroll the Earth for a day without being asked for a selfie by a stranger.

Then Bacon realized he could test out his fantasy by donning a disguise. And not just any old costume-shop purchase. “I’m not complaining, but I have a face that’s pretty recognizable,” Bacon explains on a recent Zoom. “Putting my hat and glasses on is only going to work to a certain extent.”

So the Golden Globe–winning actor and musician went a step further. “I went to a special effects makeup artist, had consultations, and asked him to make me a prosthetic disguise,” Bacon says.

He was outfitted with fake teeth, a slightly different nose, and glasses—a getup that made Bacon look a lot like his character in the new Ti West horror film MaXXXine, a sleazy private detective hired to track down the title character (Mia Goth). Bacon put on his normal-person camouflage and tested it at one of the most densely populated locations in Los Angeles: an outdoor shopping mall called The Grove that is perpetually full of tourists.

To his initial delight, the disguise really worked. “Nobody recognized me,” he says. But then an unfamiliar sensation washed over Bacon: the feeling of being invisible. (Given the actor’s prolific career, it is unsurprising that Bacon has played invisible—in 2000’s Hollow Man—but that was for an audience.)

At the Grove, Bacon recalls, “People were kind of pushing past me, not being nice. Nobody said, ‘I love you.’ I had to wait in line to, I don’t know, buy a fucking coffee or whatever. I was like, This sucks. I want to go back to being famous.”

When he’s onscreen, though, Bacon loves disappearing completely into a character. That much is clear in MaXXXine, the third film in West’s horror series. Bacon fully basks in his character’s sleaziness, delivering sinister lines in full Louisiana accent. (A sampling: “The past ain’t done with you, Maxine.”) The film bows on Friday, the same week that the actor appears in a movie on the other end of the genre spectrum: the Eddie Murphy action-comedy Beverly Hills Cop: Axel F. (Murphy proclaimed Bacon “the perfect villain” for the franchise.)

“I honestly feel very grateful for where I happen to be,” Bacon tells VF in a wide-ranging conversation. “That I can have two totally different movies coming out within a couple of days of each other, and completely different roles. The fact they would both come my way is the thing that I feel the most gratitude for. I’ve fought really long and hard for it.”

Ahead of his double premiere week, the actor looks back on the time his career literally changed overnight, reveals one of his only regrets, and shares how he tries to combat Hollywood’s “hierarchical bullshit.”

Vanity Fair: In MaXXXine you play a detective with a thick New Orleans accent who wears white linen suits and a mustache, and drinks Bloody Marys. How did the character come together?

Kevin Bacon: Ti is the type of person and director who is confident enough to be comfortable collaborating, so we started banging around some ideas. . .He wanted me to go as far as possible, and I like taking big swings. He said to me, in no uncertain terms, “If we go too far, I’m going to protect you and I’ll be able to pull it back. If we go too far with the look, if we go too far with the dialect, or even with the performance. . .” So I trusted him.

Becoming the kind of actor who has an opportunity to take big swings was a very difficult thing to attain in this industry, because Hollywood wants you to do the same thing that you did last time [a project of yours] made money. When I did Quicksilver, the next movie that I did after Footloose, I was like, “I don’t want to do another dance movie. I want to do a gritty bike movie.” And in the course of doing the movie, all of a sudden they added a dance sequence on bikes.

So you have to really fight back against that, and find people who are interested in you taking a big swing. But at this point, I don’t get a lot of pushback on the choices that I make.

Bacon in maXXXine.

From the Everett Collection.

Was JFK (in which Bacon played a hustler) your turning point in terms of taking big swings?

Yes. The meeting that I had with [writer/director] Oliver [Stone] on JFK and the meeting that I had with Ti were strangely similar. The difference was that Ti had movies to look at of mine where he could see that I was willing to do this kind of transformational stuff. But Oliver [didn’t have] a lot of stuff like that [to] reference.

Because of Footloose and the movies that I was doing, the way I was perceived was very much like a pop star. I don’t even know what you’d call it—a boy/leading man type thing. So I went in and Oliver said basically the same thing Ti said: “Will you go for it?” I said “sure.” The next thing I know, I’m down in Louisiana, hanging out in these pretty hardcore leather bars. And then I’m up at the Louisiana State Penitentiary, being met by the warden, going to spend time with the inmates there. It was great. And when the movie came out, my career changed overnight, literally. People were like, “Oh, I didn’t really know that you could do that.”

You’ve never seemed reluctant to play a really dark character, and have played people who have done some pretty terrible things onscreen—to women, children, animals. Have any roles you’ve been offered given you pause?

No, not really, because to me, this is what an actor is. I’m never worried about how people feel about me. Work is about becoming other people and becoming part of some story. I don’t need you to go to a movie and love me. If you go to a movie like MaXXXine or Beverly Hills Cop: Axel F, and I die and you stand up and cheer, I’m like, “Great. That was my gig. That’s what I wanted out of it.”

You’ve said Jack Nicholson was a role model to you because of his fearlessness in playing unlikable parts. Did you get a chance to talk to him about that while making A Few Good Men?

I never did ask Jack about that. In that particular situation, I was on the other side of the courtroom, and we weren’t really interacting that much offscreen at all. I will tell you that seeing him come to work and do what he did, take after take, was completely inspirational and mind blowing and fantastic. Just to be in the orbit of someone that I had admired so much.

When you look at Jack, it’s not like he got old enough and started to get a chance to play unlikeable characters, whatever that means. He was there right out of the gate. He had no problem with it, and I think that's great.

Looking back, and I don't look back that much frankly. . .but if I ever could have given some advice to a younger person, it would be to pick people’s brains who have more experience than you. I just didn’t do that. I thought I knew everything there was to know about everything. I was never looking for any kind of mentorship or advice, either from actors or people who had more experience than me. I didn’t have that gene. I was cocky and headstrong and determined.

You grew up with a famous father, though he wasn’t an actor. He was an important urban planner in Philadelphia who was on the cover of Time. Was fame something that you consciously wanted for yourself growing up?

A hundred percent. In terms of giving credit to my parents, and course I give all the credit to them, my mother was very much on the artistic side and really encouraged acting. My brother was a musician, but in general, amongst the six of us [children], they both encouraged as much creativity as possible in everything—dance, music, theater, painting, sculpture, whatever.

My father was famous in Philadelphia, which in some ways is a small pond, but for me it was a big pond. I saw him get recognized by people when he would walk down the street and seeing that was definitely a big driving force in my life. Frankly, I wanted to be more famous than him. And you can lay me down on the shrink’s couch. We could talk about that for a while. But it was definitely a motivator.

Your wife, Kyra Sedgwick, is also an actor, and your daughter Sosie is one as well. She asked you for help on her Philadelphia accent ahead of filming Mare of Easttown. Does she ask you for advice?

Interestingly, for many years, because she wasn’t an actress, she really did not ask for advice. Neither one of our kids really has asked us for advice about much of anything. Our son is a musician and a composer, and he’s actually getting into some filmmaking now.

When our daughter went into movies, that changed. Not about everything, but now we can have exchanges and conversations about the process of acting, and the process of career and agents and managers and auditions and deals, and all the other junk that we go through. She will send auditions [to us], and my wife is very much a director. She can be extremely helpful. Usually, my first response is, “If they don’t give you this part, they’re fucking idiots.” I always think that every audition that she does is like a swish.

Actors usually leave the horror genre behind after getting to a certain place in their careers but, four decades after your role in Friday the 13th, you’re still here. What keeps you coming back?

I’m a consumer of horror. I think that it’s always been discounted as a serious genre. You’re never going to see people—or maybe it’s starting to change—go up and accept an award for a horror movie. There was a moment in the seventies, with Rosemary’s Baby and The Exorcist, The Shining, and Don’t Look Now where it was starting to go in that direction. I think people were appreciating those.

And then, in the eighties—and I had something to do with this—you had the birth of the slasher movie. And all of a sudden they were thought of as cheap pieces of junk. Once you got out of horror, you’d never get back into it. Now, I love them. I don’t love ’em all. . .The other thing about it, as an actor, is a lot of times it’s a life and death situation. The stakes are very high, so you get great stuff to play.

At the beginning of our conversation, you talked about reaching out to Ti. Are you still as proactive and competitive about roles at this point in your career?

Yes, I am still hungry, and I still feel like the best work is in front of me. I don’t think it’s a competition—it’s a competition with myself. I probably did this in the past, but I’m not looking at this actor going, “I wish I was him” or “I wish I had what he had.”

When I reach out to people, it’s not because I’m trying to get a gig. It's because I feel like being appreciated for what you do as an artist from somebody else is a nice feeling. If there’s somebody that I admire that comes up and says, “Hey, I really like that” or “you did a good job,” it feels good.

The film industry, sadly, is a very isolating and hierarchical kind of business. There’s this underlying feeling that we need to be competing with each other. There’s this whole thing about what’s number one at the box office. All of this shit, like the size of your trailer or salaries. . .it’s all hierarchical bullshit. So wherever I can feel like I’m a member of a community that is supporting each other in creating these things that I think are super important, I want to do that.

This interview has been edited and condensed.

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